Fish-Eye-I

Video production and editing support.

Fish-Eye-I, Deborah Robinson, ICIA Art Space 2,  Thu 22 Apr – Fri 11 Jun

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Fish-eye-I

Deborah Robinson enters the hidden world of the aquatic lab. The University’s Department of Biology and Biochemistry, one of the UK’s premier bioscience centres, houses a fish facility with 500 tanks and 10,000 fish. Here transparent medaka and zebrafish are used as biomedical models for research into human development and disease. Intrigued by the relationship between the scientist as observer and the observed living organism, Robinson constructs a ‘fish-eye view’ with film and sound equipment positioned within the tanks. Catching glimpses of researchers going about their daily work, she takes a fresh look at the ‘I’ who is the scientist. Robinson captures the strange poetic beauty of this see-through world – from fish, water and tank to the lens of the camera itself.

www.deborah-robinson.net

http://www.bath.ac.uk/icia/events/?page=event&art_form=Exhibitions&event_id=374

Unravelling the Manor

Video production and editing support.

Animated Dressing Screen, Emma Molony, ‘Unravelling the Manor’ at Preston Manor, Brighton, May–Jul 2010.

Emma Molony’s animated dressing screen was developed with animation, video editing and projection mapping support from Stuart Mitchell. The work was exhibited as part of ‘Unravelling the Manor’ at Preston Manor, Brighton. An exhibition of 12 artists’ site-specific work responding to the house.

More info at http://www.emmamolony.com/site/index.php?/gallery/unravelling-the-manor-project/